Spectrum V

Spectrum V, 1969, oil on canvas, thirteen panels, 84 x 588 inches, EK 422, The Metropolitan Museum of Art, New York, Gift of the artist,

Ellsworth Kelly

Title: Spectrum V, Artist: Ellsworth Kelly American, Newburgh, New York 1923–2015 Spencertown, New York Date: 1969, Medium: Oil on canvas, Dimensions: Each panel: 84 1/8″ x 34″ x 1 1/8″ Classification: Paintings, Credit Line: Gift of the artist, 1969, Accession Number: 69,210a–m

Spectrum V, 1969

‘Spectrum V’ was created in 1969 by Ellsworth Kelly in Color Field Painting style, Find more prominent pieces of installation at Wikiart,org – best visual art database,

Ellsworth Kelly, Spectrum V, 1969,

Ellsworth Kelly, Spectrum V, 1969, “Kelly’s Spectrum works, especially the horizontal ones, are where presence meets color,When they were painted, mostly in the 1960s, they must have seemed preposterously huge, Today, when we’re well-accustomed to big paintings, it takes architecture to equal the same kind of presence,

Ellsworth Kelly

Spectrum is a very special title to me because it is the title of one of my favorite artworks that I saw at the Metropolitan Music of Art, The work is specifically called Spectrum V as opposed to Spectrum IV and is by a contemporary artist named Ellsworth Kelly b, 1923, The work consists of thirteen large panels, each containing a different color or shade of color,

Ellsworth Kelly

Spectrum V Ellsworth Kelly, 1969 Oil on 13 canvas panels, 84,25″ x 34,25″ individually, 84,25″ x 443″ totally The Spectrum series, is a quintessential Ellsworth Kelly piece, Known as a hard edged abstractionist color fields marked by abrupt shifts in tone and color, Kelly, along with Morris Louis and Kenneth Noland, pursued a later form of Abstract Expressionism that focused not on

Top responsesThis is in the Met right? I’ve seen it a million times in person but it feels really different to me in this cropped image where theres no room to breathe above or … read more20 votesI feel like this is the mental image that people who don’t like modern art have of modern art,11 votesNotice how the cooler colours give an illusion of contracting, being thinner than the warmer canvases,11 votesI didn’t know this was a series, we have a similar one at the St, Louis Art Museum, just sayin’,5 votesAfficher tout

Spectrum V by Ellsworth Kelly

Spectrum V by Ellsworth Kelly; Bridge Over a Pond of Water Lilies by Claude Monet; Mao by Andy Warhol; I spent a good portion of the afternoon admiring the Monet paintings, He’s always been one of my favorite artists ever since I first learned about him in second grade! ? , I am also happy to report my first sighting of beautiful spring flowers — right outside my apartment, Yellow

American Abstraction and Pop, 1950s–60s Featuring

Ellsworth Kelly’s Spectrum V in Gallery 924 – in the American Abstraction and Pop, 1950s–60s Gallery in the Metropolitan Museum of Art

Art et Hasard

“Spectrum colors arranged by chance V“, est une oeuvre de Ellsworth Kelly réalisée en 1951, Le tableau est présenté sans le titre, les élèves sont invités à décrire l’oeuvre : « Je vous demande d’observer cette reproduction de l’oeuvre de Ellsworth Kelly,Je vous laisse deux minutes et nous en parlerons ensuite,

Vue de Fulguration d’Ellsworth Kelly

La photographie montre des spectatrices comme hypnotisées devant Spectrum 1 1953 d’Ellsworth Kelly, Cette œuvre est présentée dans la photographie avec un encadrement simple en saillie dont le blanc contraste avec le tableau aux bandes verticales de couleur, Mais Kelly fait partie des artistes qui en avançant dans leur travail se passent, comme Mark Rothko 1903-1970, de cadre

Ellsworth Kelly, Spectrum IV, 1967

Ellsworth Kelly, Spectrum IV, 1967, 252 works online, 2,395 paintings online, In 2018–19, MoMA collaborated with Google Arts & Culture Lab on a project using machine learning to identify artworks in installation photos, That project has concluded, and works are now being identified by MoMA staff, If you would like to reproduce an image of a

Ellsworth Kelly: Volume I – Ideas

Ellsworth Kelly likes to recall the incident in which a child, pointing at the five panels of Painting for a White Wall, enumerated their colors from left to right and back, It was at this moment that the artist realized that what he had wanted to do in this painting was to “name” colors, The idea that a juxtaposition of color rectangles was the visual equivalent of a suite of color names

Ellsworth Kelly — Wikipédia

Biographie

Spectrum II

Ellsworth Kelly, however, questions the predictability of the standard red to violet progression, instead offering a passage that begins with one yellow and ends with another, The search for specific color is central in Kelly’s art, He once explained, “It’s very difficult to do a spectrum because each color has to be the right red, the right purple, and they have to blend together