Grand Design: Pieter Coecke van Aelst & Renaissance Tapestry

Tapestry by van Aelst, Designed by Pieter Coecke van Aelst Netherlandish, Aelst 1502–1550 Brussels, ca, 1548, Story of Creation: God Accuses Adam and Eve after the Fall detail, Woven under the direction of Jan de Kempeneer Netherlandish, active 1540–56 and Frans Ghieteels Netherlandish, active ca, 1545–after 1581, by 1551, wool, silk and gilt metallic thread

Grand Design

After Pieter Coecke van Aelst‘s spectacular achievement with the Life of Saint Paul, his next surviving tapestry series is the seven-piece Seven Deadly Sins designed around 1532–1534, of which at least five sets were woven, Coecke‘s authorship of these designs was acknowledged in a contemporary manuscript on display in the exhibition that describes these tapestries “of which master

Pieter Coecke van Aelst

The great Renaissance artist, Pieter Coecke van Aelst, conceived this series as a spectacular procession of sinners spread across seven tapestries of monumental scale, Each tapestry is dedicated to a particular vice, or Cardinal Sin, represented in female form riding a carriage, surrounded by a colorful retinue of personalities from classical history, mythology and the Bible, embodying the

Pieter Coecke van Aelst and Renaissance Tapestry at the Met

Designed by Pieter Coecke van Aelst, And in a detail, above, of the larger Seizing of Saint Paul tapestry, you can see Coecke’s bold use of color, energetic compositions and expressive emotions, These, and his incredible use of details, are all aspects of craftsmanship and creativity that separated Coecke from the pack,

‘Grand Design’ Showcases Pieter Coecke Tapestries at the

Date de publication : oct, 23, 2014Temps de Lecture Estimé: 7 mins

The latest is “Grand Design: Pieter Coecke van Aelst and Renaissance Tapestry,” which handily lives up to the standard set by its epic forerunners, the 2002 “Tapestry in the Renaissance: Art

Collections Online

Pieter Coecke van Aelst I primary name: Coecke, Pieter to seek commission for tapestries from Sultan Suleyman I, Coecke van Aelst was in the Sultan’s empire on behalf of the tapestry maker Willem van der Moyen from Brussels, In 1539 he published translations of Vitruvius and Serlio into Flemish, In 1546 he moved to Brussels, and was named court painter to Charles V in 1550 a few months

Reliving the Renaissance

Reviewing the Metropolitan Museum’s show “Grand Design: Pieter Coecke van Aelst and Renaissance Tapestry,” Anthony Grafton called Coecke 1502–1550 “a master who devoted his best talents and energies to tapestries and other collaborative enterprises, and who, for that reason, has never had the fame of the great masters of fresco, portrait, and sculpture,” Here we present a series of …

Pieter Coecke van Aelst

Overview

Pieter van Aelst III

Overview

Haber’s Art Reviews: Pieter Coecke van Aelst, Charles

Pieter Coecke van Aelst and Charles Coypel, The eyes of the late Renaissance ran everywhere, from the High Renaissance that nurtured it to a world coming apart, And few artists ranged more widely than Pieter Coecke van Aelst, Born in 1502, Coecke maintained a busy workshop in Antwerp while serving as court artist to the Hapsburgs and supplying

A triptych: The Nativity, The Adoration of the Magi, The

Pieter Coecke van Aelst Aelst 1502 – 1550 BrusselsA triptych: The Nativity, The Adoration of the Magi, The Presentation in the Templeoil on panel center panel: 41⅜by 27½in,; 105 by 70 cm side panels: 41⅜by 11¾in,; 105 by 30 cm,

BRUSSELS, EARLY 17TH CENTURY, AFTER PIETER COECKE VAN

ORIGIN OF THE SERIES Pieter Coecke van Aelst embarked on the creation of the tapestry series of The Story of St, Paul series, possibly the first he designed, as a set of nine panels in circa 1529 – 30, Coecke was clearly inspired by the more famous Acts of the Apostles designed by Raphael between 1516 and 1521 which included several scenes devoted to St, Paul, but he interpreted the scenes and

Review: Wonders unfurl at Getty, Met tapestry shows on

At the Metropolitan Museum of Art, “Grand Design: Pieter Coecke van Aelst and Renaissance Tapestry” is a sprawling powerhouse, presenting 19 of …

impression d’arts de Pieter Coecke van Aelst

Pieter Coecke van Aelst est né à Alost le 14 août 1502, fils de l’adjoint au maire et donc certainement dans une situation de richesse, On ne sait pas grand-chose de son enfance, Van Aelst a étudié la peinture à Bruxelles avec des experts de la scène de la Renaissance, Il a fait des voyages éducatifs en Italie, a passé un long moment